Archive for June, 2007

That final episode

Saturday, June 30th, 2007


The final episode of a certain comedy sketch show was transmitted on Thursday, leaving a lot of the recorded sketches unused. I am sure some fan site will post a list of all those cast-offs at some point in the future. Until then, here’s the sketch guide for episode 6 of That Mitchell and Webb Sound:
M&W
TMAWS Episode 6
Written by David Mitchell and Robert Webb,
Chris Reddy,
James Bachman and Mark Evans,
Toby Davies and Chris Pell,
Dan Hobson and John Bridle,
Stuart Beale,
Owen Powell,
John Finnemore.

Pilot wants to sit up the back of the plane with passenger.
Stock exchange: Losing points / gaining points.
2006 Office Olympics 1.
Evil librarian: Date?
Office Olympics 2.
Gary Rhodes store.
Man will be executed if his wife does not sleep with a fiend.
Office Olympics 3.
Alexander Reece the monosyllabic relic hunter vs Serge LeGrand.
Robin Hood on stilts.
Superhero plastic surgery.
Comedy sketches sketch: Fork handles, dead parrot, give blood etc.
sound3
The CD is out on Monday. How very convenient!

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That Observer Food Monthly Interview

Sunday, June 24th, 2007


Food Monthly
Two’s company

Downing tools and going off for a working lunch is still the time-honoured way for writing and showbiz partners to chew over work – or, of course, to avoid it.

Sunday June 24, 2007 The Observer Interview by Eva Wiseman.

Comedy double-act David Mitchell, 33, and Robert Webb, 35, stars of Peep Show and Magicians, at the North London Tavern.
David: This is my local pub. I like it because it feels like a gentlemen’s club, except when they play the music too loudly, which I’m not too keen on. When I first moved to Kilburn, four or five years ago, this pub was hilariously scary. Very brightly lit, patterned carpet, banquette seating and about six old men sitting on their own drinking half pints of Guinness. On Saturday nights they used to show Casualty on the big screen. Two weeks after it closed they stripped out the carpets and did it up, and now it’s always packed, which means that, effectively, the way it was run before was equivalent to a massive sign saying Fuck Off.

We’re all for gastropubs. We don’t fear for our lives when we go in here any more. I don’t know where the old regulars are these days. Maybe in Cricklewood? Kilburn is fantastically characterful, in a slightly grim way, but it’s nice to be able to get a kebab at any time of day or night. And if you want a bit of posh you can walk to West Hampstead. Kilburn feels like London should be though. This pub is equidistant to where we live so we meet here to get drunk and try and think of ideas. You can’t write when you’re drunk though. Not just because it’s hard to decipher. If you try and write dialogue it comes out like all the characters are drunk too. The key to sketch-writing is what you chuck out. You’ve got to have more ideas than sketches, and write more sketches than you film, and film more sketches than you can transmit. Sometimes it feels like the easiest way to earn a living anyone’s ever thought of, and sometimes it’s incredibly depressing. Especially when you look back at your old stuff and see how funny we were then. You look back and say, ‘We should get those guys to write this’.

I get quite depressed if I don’t enjoy a meal. I feel as though I’ve wasted a hunger. And I plan my day around what I’m going to eat . In a pathetically small way sometimes. Like I’ll plan my trip to the shop to buy bacon for a sandwich, and that gets me through the morning. Similarly, those days when you can justify having a curry to yourself. It’s a treat. Though filming Magicians we had curry every day. And chips. Very good chips. The kind that kill you twice as much. We filmed in Skegness, where there are a lot of chips swimming around, mainly in the bodies of the people who live there. Today I’m eating duck on a bed of lentils, which to me is very modern, and makes me feel that I’m going some way to shake off my 19th-century image. People think that, because I dress like Ian Hislop, I must be from the 19th century, but I’m not really. I love television, for instance, and the healthcare back then was appalling. Rob is having cabbage, which he likes because it adds texture to a dish. Which is vital. We’d tell that to any chef. If we knew what we were talking about we could draw a tenuous link between food and comedy by mentioning timing, but we don’t.

When we’re together we do get recognised sometimes. In a restaurant though, someone will spot you, and either come over or forget about it. Sometimes if we’re walking around, people do recognise us and get a bit confused. They don’t know where they know you from, or they don’t quite believe that someone off the TV can exist in this reality. It’s a bit frightening if they get excited. Especially because we don’t know who they are – they have all the power.

We ate here once with Matt Lucas and his charming young man Kevin, which was nice. He emailed us to say he liked our work, so we met up. It was a mutual-wanking society really. We mean that in the metaphorical sense of course. We talked about comedy mostly. And he told us a bit about merchandising, but we couldn’t really keep up with that bit. We did talk about working together at some point, but haven’t planned anything concrete. It would be nice though.
We’ve had a few working lunches when we’ve been taken out by people. At the very first one, with our producer, Rob was tremendously nervous, and sprinkled sparkling water over his chips thinking it was white vinegar. I remember thinking: ‘What a horrible waste of chips.’ They fizzed!

I was best man at Rob’s wedding recently. We ate duck there too. How did we have it? I had mine nervous and soberer than I’d have preferred. Because we’re comedians people were expecting the speeches to be really good, so there was a lot of pressure, especially as I had to follow him, and he was crying. It’s very difficult to follow tears with tawdry humour, like putting Only Fools and Horses on after Schindler’s List. Still, Comic Relief – that works.

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That BBC Audio Bookshop Information Sheet.

Thursday, June 21st, 2007


1
2
3
4

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That Olivia Colman Interview

Monday, June 18th, 2007


The marvellous Guardian had a nice surprise in it today:
Olivia Colman
‘Fame is quite scary’
A stalwart of quality British comedy for the last six years, Olivia Colman is getting serious – which is what she wanted all along. By Sarah Dempster

Monday June 18, 2007 The Guardian

Scrunched up on a fashionably uncomfortable sofa in ITV’s airless headquarters, her legs origamied into an impressive approximation of a bow tie, Olivia Colman is pondering the infinite imponderability of stardom. “Well, it’s nonsense, isn’t it, really? Thankfully, I’m still at the level where most people don’t know who I am. I prefer it like that. I’m basically a slipper-wearing, parka-wearing, slightly spotty lady, who likes to wander around Peckham with her pushchair. I can’t imagine what it would be like to be in Heat magazine. Gosh, no. And this is only the third interview I’ve done, ever. So I’m just ever so slightly terrified. Um … hah!”
There is something of the Ealing schoolmarm about Colman. Dimpled and jolly, you can imagine her raising an eyebrow at Alastair Sim following a misunderstanding over a hockey stick. Conversely, you cannot imagine Colman swearing, or appearing on something with Russell Brand, or vomiting in the gutter outside Soho House with her bra out. All activities that – given the extraordinary momentum of her career and her presence in virtually every zeitgeisty comedy of the last six years (Black Books, The Office, Look Around You, Green Wing, Peep Show, Hot Fuzz, That Mitchell and Webb Look et al) – the 33-year-old actor is more than qualified to engage in. And yet she thinks fame is “strange and quite scary”.
“This may sound mad,” she says, “but you sort of assume that no one’s going to watch what you do. You go on set, have a lovely time, and then you forget anyone’s going to see it. So it’s always a bit of a shock to be recognised. I get terribly embarrassed.” She shakes her head and reaches for an almond croissant. “Bonkers,” she says, apologetically.

Today we are here for a screening of The Time of Your Life, a drama series about a woman, Kate (played by Genevieve O’Reilly), who awakes from an 18-year coma, only to find the marble-wash denim blouson is no longer the towering totem of modish infallibility it once was, and her family and friends are mysteriously reluctant to talk about the accident that left her comatose.

Colman plays Amanda, Kate’s former confidante and a housewife gradually awakening to a realisation of her own: her life, with its ageing husband, regrets and stew, is rubbish. Given the overwhelming preponderance of comedy on her CV, it is slightly odd seeing Colman playing it straight. I kept expecting her to throw something at somebody’s head, or suddenly empty her handbag everywhere. “I can understand that,” she says, nodding politely, “but I’ve done drama roles all the way through my career. I went to drama school [Bristol Old Vic Theatre School] after Cambridge expecting to do Lady Macbeth and things, but it’s never happened.

“I’ve been for a couple of serious theatre auditions and done appallingly. So I think by default I’ve ended up doing comedy. I love it, but I love drama too. Having said that, I went up for The Time of Your Life thinking it was more of a comedy than it was. Hah! But really, it’s lovely.”

Colman is probably best known for Peep Show – Channel 4′s enduring, splendidly acidic comedy of manners – in which she plays Sophie, the frumpy, endlessly forgiving object of the appalling Mark’s (David Mitchell) affections/psychosexual neuroses. “It’s funny, so many people think Sophie is really sweet, but I’ve always thought she was a bit horrid. The way she led Mark on … she was so sneaky and manipulative. Which is of course even more fun to play”. She is “enormously proud” of Peep Show. “Sam [Bain] and Jesse [Armstrong] are brilliant. They have almost too many ideas,” she says of the series’ creators and writers. “And thank God they’re writing. Just imagine what goes on in their heads. If they weren’t venting it on paper … who knows what they would do? It’s a terrifying thought.”

Colman met Peep Show’s David Mitchell and Robert Webb at Cambridge in the early 1990s, after auditioning for Footlights “by accident” (she had thought it was a serious drama audition and wandered in, having “nothing else to do that afternoon”). She “adores” the duo and “very much hopes” their remarkably fruitful working relationship will continue. She appeared alongside Webb in semi-improvised Brit-flick Confetti. They played naturists and spent much of the film wandering around with their bums out.

The experience, according to an uncharacteristically grumpy Colman, remains a source of broiling horror. “There were certain chats that took place for an entire year before filming which suggested the nudity wouldn’t be quite as awful as it was. I would have felt better about it had I been aware how much was actually going to be on display. It was,” she says, glaring at the coffee table, “the worst experience of my life.”

Thankfully, sunnier times beckon. Colman, who is six months pregnant with her second son (her first, Hal, is almost two), will spend the next few weeks filming the second series of the Bafta-winning That Mitchell and Webb Look. In the meantime, there is the release of comedy-drama allotment film Grow Your Own, in which she plays “a lovely nerd”. Her work rate is astonishing. Does she ever yearn to knock the phone off the hook and spend six months in her dressing gown, watching Car Booty and eating cereal out of the box?

“Oh yes, but I love working,” she chirps. “And I find it quite hard to say no to anything. I do try to spend lots of time at home with my son and husband [writer Ed Sinclair, whom she met while at Cambridge], but my dream is to keep doing what I’m doing. I love it. I’ve been in so many wonderful things and it’s kind of all worked out by accident. I think I’ve been extremely jammy”.

ยท The Time of Your Life is on ITV1 tonight.

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Those Mitchell And Webb stars

Saturday, June 16th, 2007


Stuff coming up on the teevee of interest:
Paterson Joseph
Tonight (Saturday) sees Paterson Joseph in the new reworking by Steven Moffat of a certain classic: Jekyll is at at 9pm on BBC1, followed by David Mitchell in yet another panel show about truth and lies: Would I Lie To You? Then on ITV on Monday at 9pm Olivia Colman is in the drama serial Time Of Your Life. It’s on ITV but I might watch it as it’s Olivia.

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TMAWS Episode 4: โ€œIโ€™m going to be sick on my brochures!โ€

Saturday, June 16th, 2007


That Mitchell And Webb Sound Episode 4
Written by David Mitchell and Robert Webb,
Toby Davies and Chris Pell,
Dan Hobson and John Bridle,
Jason Hazeley and Joel Morris,
Graham Mark Walker,
Lawrence Howarth,
Simon Kane,
John Finnemore.
TMAWS Episode 4

Matthew tells his competitive Dad he is gay.
Family trip to the city.
Similies and metaphors discussion: War On Terror.
Gravestone euphamisms.
London Tourbus guide 1: St Pauls Cathedral.
Harry and Piers hire Grace the foxtitute for an illicit hunt.
Dan pretends to like football instead of classical theatre.
Xin warrior fixes the air conditioning.
London tour bus guide 2: London Eye.
Bring things to the table: Project mission statement.
Evil travel agent: How about a little date?
Sir Digby Chicken Caesar: Shoe bin and brewery.
Adam of Eternia goes to the doctor about his transformations.
London tour bus guide 3: Trafalgar Square.

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TMAWL recording cancelled!

Monday, June 11th, 2007


From BBC Tickets, today:

‘BBC Studio Audiences are sorry to have to announce that the previously scheduled That Mitchell And Webb Look recording for 22 August 2007 has been cancelled.’

Bugger! I don’t know when it is going to be rescheduled…. yet.

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The Olivia Colman YouTube Post.

Sunday, June 10th, 2007


There’s a new ‘Britcom’ being advertised all over certain tube stations in London. It features all the usual suspects (but not Kevin Spacey) so therefore included the lovely Olivia Colman. She hasn’t got the biggest part in it but she is one of our Comedy Gods so here’s the trailer:

It looks more like a British Underdog Movie, which a touch of British Social Commentary and a dash of British Eccentrics Movie. Never mind, it has Benedict Wong in it too and anything with Errol From 15 Storeys / Dr Franklin Fu From Look Around You 2 is a must.

Speaking of Look Around You 2…

There are at least 10 of my all-time favourite comedy geezers and comedy birds in this (extended) clip alone. No prize at all for the person who can name them. Anyone who does not own this DVD should be ashamed.

Talking of DVDs…

Is it time for Bruiser yet?

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Flip flap! It’s That Mitchell And Webb Sound

Saturday, June 9th, 2007


That Mitchell and Webb Sound Episode 3
Written by David Mitchell and Robert Webb,
Chris Reddy,
James Bachman and Mark Evans,
Toby Davies and Chris Pell,
Dan Hobson and John Bridle,
Simon Kane,
and John Finnemore.
Asbo
This week’s sketch guide:
IT Helpdesk: Not a piano.
Imagine That 1: Teenagers. (but not the recorded coins bit)
Death rides the ice cream van.
Car Hate Cheese Love Magazine.
Blind date: Colombian drug baron.
Big Celebrity Fame Zeppelin.
Bitter newly single man (Robert) buys daughter her first bra.
‘When will the election be’ expert doesn’t really know.
Reform Club circa 1836: Mobile telephones.
Chicken Ambivalance Tap Ambivalence Magazine.
Finland parliament lunatic in box. (from the TMAWL Ginglik sessions)
David and Robert: David genealogy: Hitler was his Great Grandfather.
Dr Cruel: ‘Anything Can Be Music’ show.
Tom phones and texts Muriel with help from Asbo Zebruda the baby seal.

Next week: Zombie Poppins? Sugar Shoes? Bob Franks? The Human Whisk?

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iBored now…

Tuesday, June 5th, 2007


There are some new computery advert things on the internet.

Here they are:


I still don’t want a Mac but I also don’t have any extreme opinions about comedians doing adverts.

I also found this, which I quite like:

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